Cedric Michael Cox

 

Role: Panelist

 

Affiliation: University of Cincinnati’s College of Design, Architecture, Art, and Panning (DAAP)

 

Title: Visual Artist and Painter

 

Session Name: Street Art in Urban Communities – Boston, DC, St. Louis, and Cincinnati

 

Bio:

Cedric Michael Cox is best known for his paintings and drawings that merge surrealism and representational abstraction. As a student at the University of Cincinnati’s College of Design, Architecture, Art, and Planning (DAAP), Cox was awarded a fellowship to study at the Glasgow School of Art in Scotland. After receiving his Bachelor of Fine Arts in Painting in 1999, he began to exhibit regionally and nationally.

Cox’s paintings catapult color into rhythmic action with abstract and recognizable images that create compositions inspired by themes in music and the natural world. His work remains true to sharing Cox’s innermost self as his passion radiates from the canvas. Working under several influences, which include architecture and art history, Cox’s work ranges from geometric to curvilinear to floral-like forms, all dancing within surrealistic shapes. In addition to his work being in corporate collections, Cox has executed several large murals in various public and private schools in The Cincinnati Region.

Cox’s past exhibitions include The Contemporary Arts Center of Cincinnati, The Weston Art Gallery, The Columbus Art Museum, the Dayton Art Institute, Five Myles Gallery in Brooklyn, the Museum of Science and Industry and Gallery Guichard in Chicago, and The Taft Museum of Art. In 2019, Cox’s work was exhibited at the 21c Museum Hotel in Cincinnati; in 2020, he had a solo exhibition at James Ratliff Gallery in Sedona, Arizona. A 20-year retrospective exhibition was created for Caza Sikes Gallery, along with a commissioned body of work for the Kinley Hotel Cincinnati in 2020. In 2021, a series of 64 paintings were installed for Cincinnati Children’s Hospital. In 2022, Cox created work in the Metro Dayton Library west branch; and this past summer, he executed four new murals for the community of Avondale that stand as monuments to the healing spirit of joy and community pride. Throughout his career, Cox’s work has been featured in books, magazines, and on television.

Artist Statement 2023

The paintings and drawings I create are intended to build bridges between the past, present, and future for both individuals and ALL groups of people, through stylistic ideas and expressions that crossover into many genres. Historically, my interest in art draws from cubism at the beginning of the 20th century. In contemporary terms, I have been noted to create images that relate to elements of urban architecture, highlighting areas of the city in which I lived and worked. My intention was to create a kind of architectonic lyricism. Much of my work still combines elements of cubism and deconstructionism, thus combining my interests in musical composition and its relationship to my visual world. A change in rhythm can be compared to a change in line, weight, brushstroke, value, and pitch. Though my work has characteristics of abstract art, I encourage my viewers to reexamine material culture through my art; therefore, my abstraction is not totally non-objective. It is semi-abstraction. In recent years my work has increasingly transitioned into bolder, brighter color, as a shift in mood and tempo creates drawings that originate as studies and become important to my process. The forms seem to grow like plants and flowers interweaving together in my vivid pictorial arena. While incorporating shapes that reference biomorphic forms in nature and internal human anatomy, I combine recognizable imagery placed in natural and man-made environments to create paintings that celebrate the enduring positive spirit of humanity through passionate color. This use of vibrant color adds a dreamy and playful quality to my work. As a child, I was passionate about putting my interpretation of the world around me on paper, later forging those images into paintings. I want the child I once was to be represented in my paintings on a visceral level and simultaneously express the refinement of a maturing culmination. The personal becomes universal. Art is an important way for me to communicate and subsequently build relationships with others. My work is a spiritual testimony to the visual experiences that arouse my senses. As I examine and interpret the world around me, I seek to share an exquisite interplay of subtle and bold.

 

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